In Motion, Not in Encounter

Four androgynous figures move crisscross through an environment of passages and directions. Their paths intersect, yet they do not touch. Not out of distance, but because each movement follows its own trajectory. Standing still is not an option. Movement means moving forward, even when paths diverge. The architecture suggests structure but does not impose direction. The figures follow their own rhythm. Not to find one another, but to avoid losing themselves.